“We’ve become a nasty little
right-wing country” – Youp van ‘t Hek
The New York Times recently
wrote that the Amsterdam arts scene is ‘under siege.’ And - as a member of the Amsterdam
arts scene – I agree it’s certainly had its ups and downs. Literally. In 2010,
the Dutch government decided that – instead of 6% sales tax for our services –
they would instead charge 19%. And they dropped it down again. The government
wanted to make a statement about the arts, and – if the statement was ‘we have
no idea what we’re doing’ - they succeeded. I also noticed the statement they
made by declaring what would be exempt from the tax hike: the cinema. Apparently,
‘normal’ Dutch people don’t need whiny high-art; they just want to go to the
movies. In practice, it’s mostly the American movies. Effectively, it was a
subsidy for Hollywood. On behalf of Hollywood, thank you! That’s just what they
needed.
The New York Times article
was written by Nina Siegal, who was my former editor at Time Out Amsterdam. She
explained to me how she took a maternity leave and was subsequently laid off. I
asked, ‘isn’t that illegal?’ Yes, it is. Apparently they also wanted to make a
statement: that they are recklessly cruel bastards. I told her that – at times
like these – it’s important to look on the bright side. Specifically: Time Out
Amsterdam is now bankrupt, and Nina is writing for the New York Times.
Nina’s article for The New
York Times focused less on the random tax changes and more on the other nasty
bit of arts reform: slashing subsidies. At issue was the Theater Institute
Netherlands, which is being forced to close down. Over the years, they’ve
amassed a fairly large representation of Dutch theater history, which is now up
for grabs. If only the subsidy had been slashed by 90%, they could have at
least kept the lights on. But no – 100% cut. The same thing happened to the Dutch
Slavery Institute NiNsee. Dansgroep Amsterdam. And Theater Engelenbak.
And here we get to the quote
from above. Youp van ‘t Hek is one of Nederland’s foremost cabaretiers and one
of my Dutch theatrical heroes. Remember Buckler beer? No one does. Buckler was
a non-alcoholic beer, which was around before I got here. The story goes that
they were shamed into pulling their product from the shelves, thanks to one
comedian who kept ridiculing them, mercilessly. His name: Youp van ‘t Hek. His
last name is hard to pronounce, but it sounds a lot like ‘Fanatic.’ And he
fanatically hated Buckler beer.
It’s nice to think that a comedian
can affect social change. (But where is he now that Bavaria.0 is assaulting the
airwaves?) More importantly, Youp van ‘t Hek used his influence to save the
Kleine Komedie theater from closing down. But – come to think of it - where was
he for Theater Engelenbak?
So - is the arts scene in Amsterdam in fact under siege? Yes. But that doesn't mean it's dying. In my neighborhood, there are pop-up ateliers and galleries growing in new, unused spaces. While the big money is being thrown at the big projects (Stedelijk, Van Gogh, and Rijksmuseum), the true artists are rejecting the handouts and setting up shop in squats. Forget the crumbs; freedom's in the slums. That's how Amsterdam was when I got here in the 90's. As the Dutch like to say: the circle is round.
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